1. African Horror is not a reference to AIDS, famine or Ebola, just as Indian Horror is not a reference to rapes or honour killings. African Horror is a literary genre in its own right, a sub-genre of horror that has existed for centuries, albeit without a formal title till my book, The Reluctant Dead, began spearheading the term, African Horror.
2. African Horror encompasses several horror sub-genres like supernatural horror, psychological horror, demonic/occultic horror, sci-fi horror (popularised by Nnedi Okoroafor) slasher/gore/splatter horror and paranormal romance to mention a few. My books are focused on African supernatural horror, specifically, ghosts and hauntings.
3. Just like the old Japanese Kaidan tradition, African Horror stories are geographically targeted, depicting the core traditions, beliefs and superstitions of a particular village/tribe within a horror context. Thus, my books, The Reluctant Dead and Unhallowed Graves will resonate with anyone familiar with The Ring or The Grudge.
4. African Horror is usually steeped in the moral values of individual tribes, with most stories reinforcing these values and the dire consequences of ignoring or abandoning them. Thus, in Unhallowed Graves, we witness the terrible events that befall a grieving mother who goes against the village traditions and attempts to resurrect her son buried in Ajo-ofia, the unhallowed burial ground of people deemed to have died an unclean or bad death.
5. African Horror has a strong cinema presence in Nollywood films, a Nigerian film industry that produces popular drama, depicting terrifying supernatural events within an Igbo/African setting.
7. Africans respect, fear, revere or abhor their Medicine men. Some cultures refer to them as Juju-men, Root-healers, Voodoo-men or witchdoctors. By whatever name they go, they all boil down to one thing - powerful men (and at times, very rarely, women) whose actions, good or bad, always impact on the daily lives of their people. No African Horror story is ever complete without reference to these powerful and controversial Medicine-men.
8. The Gullah culture of the American South has very strong ties to African culture and their horror stories are very similar to African horror. Today, Eden Royce, author of the book, Spook Lights and one of the few people that still speak the Gullah language, is spear-heading the Southern Gothic Horror, steeped in Gullah beliefs and culture. People that love Southern Gothic Horror will enjoy African Horror too.
9. African Horror stories are not Folktales, contrary to popular conception. These days, modern African Horror is written in prose and style similar to mainstream horror, which readers from all over the globe can relate to. My last book, The Sleepless, enjoyed wide readership from fans worldwide, proving that true horror does indeed cross all boundaries. My latest book, Dead Corpse, follows in the same style, while retaining its distinct African voice.
10. Finally, African Horror books and films are out there for anyone interested in discovering the terrifying tales from our mysterious continent. Unfortunately, due to the unsatisfactory classification of literary works, one is likely to find African horror books under "Multicultural" rather than under "Horror". Hopefully, in the near future, an overhaul of the classification system will see more horror works by Africans writers and non-African writers writing African Horror, classified under their rightful category - Horror.
About the author: Nuzo Onoh is a British Writer of African descent. She holds both a law degree and a Masters degree in Writing from The University of Warwick, England. Now recognised as the front-runner of African Horror, Nuzo’s latest book, Dead Corpse, will be published on 31st October, 2017 and is now available for pre-orders from Amazon.